Released Jun 2025

A 128 BPM bullet in 4A that still turns sceptics into believers with that indestructible vocal top-line.

Motorik hypnosis at 128 BPM; Hauff and company carve austere, after-hours architecture from cold F# minor steel.

Relentless 125 BPM heat with rolling low-end grooves, purpose-built for the late-night floor.

Deep, rolling electro at 120 BPM with rusted analogue grit and a shadowy F minor pulse that owns the late-night hours.

I'd slam this Tresor weapon at peak time: 128 BPM of chrome-plated menace that turns any room into a sweatbox.

Relentless 143-BPM electro that feels like a live wire flung across a darkened Berlin room.

I’d call this 122 BPM tech-house a fever dream where percussion is pure threat and the dancefloor gladly surrenders.

I'd call this relentless, machine-tooled hypnosis for the dead-of-night floor; a masterclass in unyielding electro tension.

A bruising peak-time assault from Tresor’s vaults: 125 BPM of snarling analogue voltage that demands a dark room and a louder system.

A 122-BPM Innervisions cut that funnels melodic weight into pure, high-voltage dancefloor hypnosis.

This bruising peak-time merger of rhythmic noise and electro has me hearing Tresor’s walls sweat pure voltage.

Studio Barnhus oddball house cranked to ten: 125 BPM of hooky, leftfield pressure that refuses to behave.

I’d reach for this deep 120-BPM Barnhus cut when the room needs organic after-hours energy with a luminous 11B lift.

A gleaming 125-BPM missile from Studio Barnhus that weaponises every frequency for peak-time hypnosis.

A merciless 130 BPM barrage from the Studio Barnhus camp that weaponises leftfield quirks into pure dancefloor hypnosis.

A lean, unforgiving 140bpm bruiser that trades melody for momentum; functional, fierce, and exactly the harder-pocket pressure I need.

Melancholic hooks welded to peak-time pressure; a tender yet towering rework that owns the 4 AM floor without breaking a sweat.

A polished 128-BPM gallop through peak-time formula that knows exactly which buttons to press for daytime damage.

Relentless, floor-scouring hypnosis at 136 BPM; late-night ammunition for the bleary-eyed faithful.

Late-night Ilian Tape dubstep at 140bpm, heavy and hypnotic enough to freeze the room mid-step.

I'd slot this rough-hewn UK deep house cut for its cheeky swagger; high-octane energy keeps the floor moving without demanding the spotlight.

A 128-BPM drift through dubby expanses, where Kalahari's psychedelic pedigree meets meticulous sound design.

Hypnotic leftfield ambient that drifts at 122 BPM, built for late-night floors where the mood simmers rather than peaks.