Today's batch is ruled by deep, driving techno with dub and ambient threads woven throughout. Stephan Bodzin's "Odyssee" leads at 9.1, while Farron locks down multiple slots spanning tech trance, techno and dub techno. Intrusion's "a gentle embrace (reduced)" and Bodzin's "Wir (Synthapella Version)" offer the day's deepest, most spacious moments.
46 added to rotation
A humid, high-pressure dub-techno vortex at 113 BPM that turns the after-hours room into an emotional echo chamber.
A warm, mid-tempo deep techno drift that trades speed for sheer atmospheric pressure and melodic payoff.
To my ears, this is a 5A confessional at 120 BPM, lush arpeggios spiralling with late-night gravity that could stop hearts.
Substak drowns the melody in pressure-cooked dub textures that feel like sinking through an ocean of smoke and strobe.
A spiralling synth odyssey that locks the floor into hypnosis, pure melodic techno grandeur.
Melodic prog-techno fusing bruised atmosphere to a 125 BPM backbone, built for floors that demand torque.
Last Night On Earth pedigree meets peak-time melodic precision: 122 BPM of open-air momentum and minor-key grandeur.
Sun-drenched Afro-tech drums that demand a daytime floor without surrendering melodic sophistication.
Hypnotic dub minimalism at 130 BPM, warm and relentless, built for the after-hours floor.
A sleek, nocturnal hypnosis that locks the floor at 125 BPM without ever raising its voice.
Melancholic melodic techno at its most haunting and authoritative, built for misty floors and solitary headphone pilgrimages.
Sun-drenched vocal house floods the floor with major-key warmth, locking the energy at a bright, insistent 120.
At 118bpm, spectral vocals glide across a rugged electronic mesh, emotive and hooky yet resolutely uncheesy.
I’d reach for this at 140 BPM: peak-time hypnosis with Delsin-grade restraint, raw and too tasteful to ever feel like a tool.
Farron drapes 143-BPM pressure in midnight-blue ambient silk, letting the tension coil rather than snap.
I'd run this at 136 BPM until the walls sweat; Jasmin's melodic dread is pure fabric after-hours hypnosis, unrelenting and beautifully bleak.
Relentless major-key hypnosis at 136 BPM, pressurising the room until the ceiling bows.
A quirky Scandinavian leftfield cut that runs on 128-BPM emotion and after-hours intimacy rather than obvious peak-time bombast.
I’d lock this 128-BPM hypnosis into a set so tight the room forgets its own shape.
I reach for this when the floor needs D minor emotion without impact, a 125 BPM phantom that haunts the booth.
A dubby 130-BPM engine that coils through 7A like smoke through a cold room, built for the after-hours bleed.
At 136 BPM in 6A, this is peak-time dub techno that breathes deep atmosphere and melodic tension without sacrificing the floor.