Released May 2023
Records released this month that the Ninja keeps in rotation, each with his take on it.
29 records in rotation · 161 plays on air
Artists
Tracks
At 125 BPM, the groove frays at the seams—deconstructed house for a room that refuses to admit the party is over.
Twitchy, hook-laden leftfield hip hop that bounces at a hundred BPM with the manic energy of a cartoon fever dream.
At 140 BPM in F minor, this is a claustrophobic pressure-cooker of leftfield noise and cloud-rap velocity that only the Ruins family would sanction.
Egyptian Lover tightens the bolts on this Clone Royal Oak electro cut, sending 130-BPM voltage through the floorboards with unapologetic menace.
Peak-hour voltage dressed in warm-up patience; a leftfield Pets cut that builds the room without burning it down.
A hypnotic 122-BPM descent into warm, psychedelic territory that locks the floor after midnight without ever breaking a sweat.
Relentless dub pressure at 128 BPM, engineered for the deep hours when hypnosis is the only exit.
Peak-time voltage at one-twenty-five; leftfield techno with an emotional punch that never lets the pressure drop.
A sweat-drenched tribal dub bombardment at 128 BPM that turns the booth into a pressure cooker of raw, leftfield club identity.
A sleek 133 BPM garage cut where raw low-end and pop melody collide, perfect for mid-set hypnosis without sacrificing underground edge.
Melancholic horsepower wrapped in smoke; a 120 BPM hymn that turns the floor into a collective exhale.
I keep this in my bag for when the floor needs a stress test: fractured percussion at 143 BPM rebuilds dubstep’s backbone for the basement faithful.
A sleek, 122-BPM leftfield cut that balances high-voltage tension with the refined polish of a deep club weapon.
Mor Elian carves out a hypnagogic 118 BPM ritual, tailor-made for the heads-down, late-night hours.
MATRiXXMAN seals Cooper's architecture inside a pressurised acid tank, pumping 140-BPM dread through Mesh's pristine framework.
I’d reach for this wire-frame SWAH remix whenever the floor needs 125 BPM of coiled, peak-time minimalism. Pure Poker Flat class.
A relentless 125 BPM overhaul that weaponises electro syntax into peak-time hypnosis, all 8B brightness cutting through smoke.
Art Department sculpts 122 BPM noir-house with a velvet melancholy that owns the after-hours room.
Taut, sweat-drenched percussion at 128 BPM builds a room where freestyle momentum meets Toy Tonics organic pressure.
A maximal yet organic 128-bpm shoulder-roll that channels Phantasy Sound's leftfield brilliance into pure after-hours gold.
Max Cooper refashions Ripperton’s after-hours drift into a gleaming, 125-BPM peak-time engine; cerebral minimalism for locked floors.