Released May 2012

Hook-laden UK house built from hyper-detailed sound design that locks the floor at 128 BPM with giddy precision.

I’d call this a 125-BPM juggernaut of corrugated bass and white-knuckle tension, built for strobe-lit peak hours.

Engelhardt sculpts a midnight-grey rollercoaster of melodic tension that grips the floor without ever sacrificing elegance.

Refined groove architecture welded to a 120 BPM chassis, moving with dub-techno weight and house fluidity.

I keep this locked for mid-room anchors: warm, organic deep house at 120 with a ten-out-of-ten pulse that fills the room without ever feeling forced.

A 122-BPM deep-house furnace that channels peak-time warmth into something properly after-hours.

Raw, hypnotic machinery locked at 125bpm; a deep-tech weapon that demands a dark room and a heavy system.

Warm, quirky deep house with a rolling 118bpm groove and enough late-night personality to own the floor without breaking a sweat.

A sleek charge of minimal hypnosis coiling around the floorboards at 122bpm, demanding movement without ever raising its voice.

Recondite channels pure voltage through Acid Test at 118, forging deep house that burns with uncommon urgency.

A Greta Cottage bullet of misty, melodic minimalism built for the after-hours tunnel.

I'd let Tin Man's acid cut through Recondite's atmosphere at a measured 120, welding melancholy to propulsive machine funk in a dark room.

Weaponising a ten-out-of-ten charge through 5A lock, this is peak-time progressive house reduced to pure propulsion.

A merciless 125 BPM surge of psychedelic minimalism that treats the dancefloor like a pressure chamber.