Released Nov 2025

I’d reach for this at 4 AM: taut breakbeat pressure at 140 built for strobe-lit floors and desperate hours.

Lean, bass-weighted techno at 133 BPM that bridges peak-time linearity and wigglier after-hours territory.

A sun-baked 120 BPM pilgrimage where melodic house honours the underground without ever sacrificing its soul.

Relentless 128-BPM hypnosis wrapped in A-minor atmosphere; a peak-time weapon that breathes through tension rather than release.

I’d ride this 140-bpm juggernaut straight into peak-time madness, letting its hypnotic bass redraw the room.

Relentless rhythmic hypnosis at 133 BPM; a forward-thinking techno weapon that locks the floor into pure momentum.

A slow, heavy hypnosis of sub-bass and raw texture that trades speed for sheer gravitational pull.

Relentless 143-BPM pressure from the Tresor corridor, built for sweating walls and unwavering strobe discipline.

A pressurised dub-techno vortex at 122 BPM that demands total surrender; Tresor-grade immersion with no exit lane.

Raw, unrelenting hypnosis at 133 BPM, purpose-built for the after-hours lock-in.

Warehouse-ready electro forged at 140 BPM in a bruising 11A key; pure, unfiltered leftfield pressure for the peak-time floor.

Electro royalty at full tilt: 133 BPM of chrome-plated voltage that turns any room into a pressure cooker.

Finlow channels liquid steel and shadow into a 133 BPM breakbeat missile built purely for the after-hours lock-in.

Finlow dials the tension to breaking point at 136 BPM, forging electro that feels wired directly into the mains.

Full-tilt electro with the gain pinned, all chrome panic and splintered rhythm.

Livity Sound’s low-end architecture gets soldered with Detroit electro wiring, forging a 130bpm hypnosis that rolls with predatory patience.

Propulsive leftfield electro at a locked 128, built for dark rooms and deeper floors.

A slow-burning, hypnotic leftfield groover that maps the hazy middle ground between ambient drift and body music.

A 120-bpm late-night surge that wraps melodic heat in smoked-glass atmosphere and credible underground torque.

Stiletti-Ana channels pure voltage into a 120-BPM electro cruiser that proves hooky and heavy in equal measure.

Fadi Mohem turns the source material into a steel-plated juggernaut built for strobe-lit warehouses and 4am surrender.

A 118 BPM curveball at full voltage, stitched with Studio Barnhus oddball precision for the late-night shift.

Intricate, unrelenting peak-time hypnosis at 140 BPM; a B minor vice that tightens rather than drops.

I keep this one for the leftfield pockets—an analog-soaked, regionally warm slow burn that lets the deep floor breathe without rushing.