Released Jun 2024

Peak-time dub pressure soaked in amber warmth; a hypnotic 128 BPM cruiser that blurs sunset into sweat.

Minor Science turns the original into a scuffed, 100bpm electro bruiser built on raw textures and underground menace.

Dub chords dissolve into a 130bpm hypnosis; warm minimalism for the after-hours fringe.

Tejada twists 120 BPM D-minor warmth into peak-time melodic machinery that breathes at full tilt.

A relentless 125-BPM juggernaut that fuses raw techno muscle with indie-dance swagger, built for peak-time sweat and strobe-lit abandon.

Lean 133-BPM electro with a taut bassline grid, channelling clear lineage straight into leftfield floor tension.

A sleek 125 BPM progression that balances melodic introspection with dancefloor urgency, perfect for the hazy crossover between booth and bedroom.

I’d call this a masterclass in dub-minimal hypnosis where every frequency feels precision-tooled for the club.

A lean, mean 128 BPM warehouse weapon that does exactly what it says on the tin, and does it with serious intent.

A slow-burning ambient cut at 88 BPM that trades dance floor pressure for weightless, cerebral introspection.

Ibiza-ready melodic armour forged at 125 bpm with a moody 8A undercurrent and peak-time voltage.

A shamelessly big vocal draped over 143 BPM trance pressure, built for sunset hands-in-the-air moments and accessible rave revival.

A minor fog rolls in at 103 BPM, dissolving the dance floor into pure, slow-motion after-hours atmosphere.

A narcotic 67-BPM drift where guitar ghosts hover over half-speed house machinery, too slow to dance but impossible to ignore.

Breakbeats fracture and reassemble at 143 BPM, forging a tunnel of sub-bass and greyscale atmosphere that only Ilian Tape could authorise.

Ilian Tape breaks science that rattles ribcages and rewires the floor.

Skee Mask sculpts a cavernous 140bpm trench where shattered breaks and sub-pressure redraw the borders of dubstep's grey zone.

Skee Mask bends UKG breaks into 140bpm techno pressure, the 7B key cutting clean through Ilian Tape subs.

Breakbeat architecture at 146 BPM that privileges hypnosis over hands-up release.

I'd let these breaks crash through ambient fog at a breathless 140 BPM, forging widescreen tension that feels weightless yet urgent.

I keep returning to these taut after-hours breaks at 158 BPM, a hypnotic D-major web that locks the room til dawn.

Vocal hooks grip a rolling 120 BPM groove, conjuring a euphoric progressive house room that refuses to empty.

A flat-minor melancholia machined for the floor, this 125-BPM Innervisions cut merges peak-time pressure with a nocturnal, melodic ache.

I’d call this 140 BPM bassline weaponry: leftfield breaks and UK bass welded with unapologetic club pressure.