Released Aug 2018
Records released this month that the Ninja keeps in rotation, each with his take on it.
16 records in rotation · 126 plays on air
Artists
Tracks
A humid, breath-held hypnosis at 120 BPM that redeems deep house for the after-hours.
John Talabot smothers Marie Davidson’s vocal in sub-bass pressure, turning 109 BPM into a slow-motion warehouse hallucination.
I’d queue this for the bleary-eyed hours when the floor needs momentum, not miracles.
A lean, dub-weighted 120 BPM hypnotiser that strips away everything except the after-hours pulse.
A deep, organic collaboration that locks into a hypnotic 128 BPM groove with maximal energy and serious dancefloor intent.
Relentless 125bpm deep-house pressure that treats the floor like a furnace and refuses to let the temperature drop.
A lean, propulsive 125bpm cut that channels minimalist heat into genuine club momentum without breaking a sweat.
High-voltage downtempo that drags the after-hours crowd through a minor-key slow burn without ever dropping the tension.
Helena Hauff channels pure electro menace at 128 BPM, a dark, propulsive weapon that owns the room well past midnight.
A breakbeat siege at 128 BPM that drags the floor through broken glass and solder, as only Hauff can.
Relentless hardware electro that transforms a 130 BPM grid into a claustrophobic sweatbox; pure Dekmantel pressure.
I let Hauff’s hardware breathe at a narcotic 56 BPM, forging a subterranean ambient crawl that still feels dangerously alive.
Relentless mid-tempo breaks carved from raw wire and minor-key dread, built for peak-time warehouse pressure.
Relentless electro-breaks that weld Hauff’s razor-sharp synthesis to a strobe-lit 130 BPM grid, built purely for the raw after-hours floor.
Hypnotic dub tension at 65 BPM—dark ambient with a physical weight that stalks the room rather than decorates it.
200-BPM analogue electro; Hauff runs hypnotic, leftfield breaks through a Bb minor fusebox at white heat.