Released Sep 2017

Leftfield house built on razor-sharp sound design and emotional hooks that hit hard at peak time.

A dubby deep-techno furnace at 125 BPM where 7A melancholy and relentless energy forge something almost claustrophobic.

Relentless, rolling low-end pressure that locks the floor into a hypnotic 122-BPM sway long after the lights should have come up.

At 128 BPM in 7A, this locks into a relentless, after-hours hypnosis that only Chaos In The CBD could authorise.

At a relentless 125 BPM, this C minor groove channels peak energy into a supple, late-night hypnosis worthy of the Mule Musiq stamp.

Electroclash royalty sharpened to a stiletto point, prowling the floor with neon-lit menace and no exit strategy.

DJ Oyster sculpts a 122-BPM fever dream from 4A shadows: lean, hypnotic, and engineered for the after-midnight dissolve.

Ashley Beedle dials up the soul without slipping into sentimentality; a 120-BPM deep house cut that grips the floor and refuses to let go.

Hessle minimalism at its most refined; a slow-burning, 128-BPM hypnosis that proves restraint is the sharpest weapon in the crate.

I'd call this a widescreen after-hours bullet that proves melodic prog can still sting without breaking a sweat.

I’d call this melancholic deep house at full tilt—G minor warmth and 120 BPM hypnosis blurring the line between basement and boulevard.

A slow-burning hypnosis at 100 BPM that trades peak-time velocity for widescreen melancholy, mapping interior landscapes with meticulous sound design.

A high-energy, 125 BPM tech-house tool that trades ornament for pure, functional late-night momentum.

A 130 BPM bassline hymn that still commands the room despite its ubiquity, riding an 8A groove with undeniable swagger.

A nine-volt jolt of deep-house hypnosis that locks the floor at 120 BPM and refuses to let go.

A melodic, high-energy glide at 125BPM that suspends the room in breath-held ambient tension.