Released Jan 2010

For my money, James Teej steers Solee's original into leftfield territory, balancing emotive hooks with a lean, club-ready groove that never slips into cheesiness.

A warm, dubby 125-BPM basement weapon that melts melodic depth into pure late-night hypnosis.

Leftfield house at its most hypnotic: slow-burning, smoke-filled, and impossibly elegant.

I keep returning to this humid, slow-burning hypnosis; it crawls through the ribcage and rewires time itself.

Spiralling percussion and emotional weight collide at 115 bpm in a deep house hypnosis built for basement surrender.

Intricate percussion and emotive depth make this a late-night weapon for tasteful floors.

Floating Points unravels the source into a weightless 128-BPM whisper drifting through A minor like smoke through a void.

Leftfield nu-disco that weaponises a slower tempo into something heavy, glittering, and emotionally raw.

Hypnotic warmth at 125 that holds the room together when the night refuses to end.