Dub / ninja
the club charts

The chart · Wed, 19 Aug 2026

What ranked that day — the Ninja's blend, archived as it stood.

top 100 of 50 ranked · today's chart

The chart that day

1new

I’d call this a polished, stadium-sized melodic techno weapon that trades risk for immediate, hands-in-the-air gratification.

2new

Wu-Tang's grit meets peak-time steel at 130bpm, a collision of legacy and laser-focused club weight that demands the main room.

3▲2

A peak-time vocal weapon that burrows deep before the drop, built for hands-in-the-air moments and locked-in basement grooves.

4new

A peak-time vocal weapon that trades subtlety for an irresistible, chart-ready hook.

5new

I’d call this a peak-time vocal house missile that balances crossover hooks with proper dancefloor voltage.

6▼1

A relentless 128 BPM charge through 10A tension, marrying CircoLoco pedigree with a warehouse-sized hook that demands peak-time surrender.

7▼1

A festival-ready weapon that weaponises its own cheeriness; the hook hits like serotonin in 130-BPM lockstep.

8▼2

A 133bpm vocal house bullet that channels peak-time heat into something sleek enough for the discerning floor.

9—

A 128 BPM roller that weaponises a vocal hook against a bassline grid, built for sun-drenched main stages where energy is non-negotiable.

10▼3

A 125-bpm freight train of polished pop-house that sacrifices subtlety for sheer, unrelenting dancefloor saturation.

11▼3

A polished 128 BPM deep house cruiser that trades risk for reliability, perfect for sun-drenched festival slots where energy matters more than edge.

12▼8

This is Kolter trapping me at 130 BPM in a claustrophobic sweatbox of piston-pump groove and unrelenting after-hours pressure.

13▼13

A sleek, nocturnal cruiser that marries Innervisions melodics to breakbeat propulsion, built for smoke-machine dance floors and 4 AM embraces.

14▼4

A glossy, floor-filling vocal cut that trades surprise for instant sing-along gratification.

15▲22

Peak-time Afro-progressive energy that sparkles on the terrace, yet the missing vocal keeps it functional rather than essential.

16▲1

A 125 BPM main-stage missile that weaponises 5B tension into pure peak-time release.

17▲18

A sugar-rush vocal hook bolted to 136 BPM electro-house pressure, built for peak-time hands-in-the-air surrender.

18▲14

A sun-drenched, full-throttle progressive weapon built for peak-time terrace abandon.

19▲78

I’d ride this 125 bpm E minor bullet deep into the morning: stripped-back Solid Grooves pressure, a vocal that demands total surrender.

20▲24

A sun-drenched vocal cut where Tim Green balances melodic warmth against a 125 BPM backbone built for daytime floors.

21▲15

A sun-drenched Spanish topline rides a 125 BPM Afro-house current, engineered for open-air daytime abandon.

22▼7

A peak-time weapon in 1A that knows precisely how to command a floor without breaking stride.

23—

Warm melodic prog that rides a 122-BPM pulse straight into the emotive end of the night.

24▼6

Widescreen after-hours prog that swaps peak-time bombast for hooky, atmospheric tension at a relentless 125bpm.

25new

Chart-savvy bassline pressure that trades depth for immediate floor impact, perfect for peak-time headline slots.

26new

Vocal house at festival scale that somehow keeps its dignity, marrying big-room thrust to a surprisingly refined pulse.

27▼7

A high-voltage melodic house weapon that channels raw emotion through insistent 125 BPM grooves and minor-key tension.

28▲29

I keep this main-stage techno at one-forty for when the room needs a vocal-less shock to the system; the tension is surgical and absolute.

29▲16

A vocal-led progressive breaks cut that fuses a sharp hook with rolling low-end pressure, built for peak-time floors.

30—

A 133-BPM juggernaut in key 5A that weaponises raw, late-night torque for peak-time floors.

31▼11

A peak-time vocal grenade that weaponises its hook against a relentless 128-BPM grid; unapologetically big-room tech house.

32▼1

I keep coming back to the way that vocal sits at 130bpm—pure terrace fuel with a hook that refuses to quit.

33▲4

Funky hooks snap tight across a 136 BPM skeleton, welding UK garage swing to Insomniac-scale peak-time muscle.

34▼34

A sleek, peak-time weapon that marries deep-house sensuality with unrelenting forward thrust.

35▲67

Melodic breaks cut sharp at 125 BPM, stitching a soaring vocal to a relentless progressive groove that works the floor without demanding the night.

36▲57

Relentless 133-BPM pressure from the Blueprint vaults; Broom tightens the screws until the room gasps for air.

37▲16

146 BPM of galvanized iron and sweat; a Hardgroove weapon that drags the room into controlled chaos without apology.

38▲13

Festival-scale emotion grafted onto a deep techno frame; a peak-time Ibiza weapon that still breathes.

39▲30

Steve Bug refines Monolink’s melodics into a rolling 115bpm late-night weapon with serious low-end pull.

40▼7

A hooky 128bpm main-stage bullet that trades intimacy for sheer, unrelenting momentum.

41▲24

A warm, driving progressive cut that sacrifices vocal memorability for tasteful, floor-focused momentum.

42new

A ghostly refrain rides a relentless 133 BPM bassline, engineered for the melodic techno peak.

43new

A 133 BPM main-stage missile that sacrifices subtlety for a vocal hook vast enough to swallow the room whole.

44▲9

I’d deploy this 133-bpm juggernaut at peak time: raw voltage channelled into unrelenting, late-night hypnosis.

45▼2

I'd drop this lascivious vocal loop at 133bpm: a speed-garage chassis with enough torque to wreck the subs and the floor.

46▲1

Relentless 143 BPM hypnosis from Mutual Rytm that turns the booth into a pressure chamber.

47▲51

At 140 bpm in A minor, this is a ten-out-of-ten pressure cooker built for peak-time hypnosis.

48▲2

I'd drop this recognisable vocal over its 128 BPM electro house chassis, turning familiarity into dancefloor currency.

49new

I'd drop this soulful vocal jolt on any 128-bpm tribal grid that needs daylight salvation.

50▲8

A sleek, high-energy progressive weapon that burns slow but hits hard, built for cavernous after-hours floors.