Released May 2026

A remastered dub techno hypnosis that weaponises 125 BPM space into something almost claustrophobic yet utterly compelling.

Raw deep techno at 125 BPM that locks the room into a hypnotic, unbroken D-minor trance.

A 125-BPM D minor hypnotiser that trades fireworks for relentless, after-hours rolling momentum.

Raw dub pressure at 125 BPM, carving out a cavernous, hypnotic late-night void.

Dubby, psychedelic house that coils around 120 BPM with hypnotic intent; a late-night weapon for locked-in floors.

Warp synths drift through a 118-bpm haze, building a room too vast for the after-hours to ever properly end.

Narcotic downtempo that seeps into the corners of the room, too restless for ambient yet too fragile for the dancefloor.

A 125 BPM hypnosis that coils around the floor, all muscle and pulse without losing that organic warmth.

A heavy, star-gazing cut from Correspondant that swaps the dancefloor for a 109 BPM after-hours headspace.

Sun-bleached percussion locks into a humid 118 BPM stride, channelling restless energy through smoky minor-key textures.

A languid 120-BPM spell of organic warmth and hypnotic melody that locks the floor after midnight.

FJAAK sandblast the CLR blueprint into a 136 BPM juggernaut that trades subtlety for pure, unrelenting peak-time pressure.

A warm, club-ready roller that pairs organic groove with a 122bpm pulse destined for packed floors.

Tribal drums and feverish sound design turn this leftfield cut into a humid, locked-in dancefloor ritual.

Afro-leaning percussion and organic warmth converge at 120 BPM, delivering deep, tasteful pressure without a single commercial cliché in sight.

Warm, rolling progressive house that keeps the deeper floor moving without ever threatening to spill its drink.

A lean, 130 BPM breaks cut that bridges peak-time slots without stealing the spotlight, all sinew and sharp edges.

I'd reach for this when the room needs 125 BPM of elegant, pressurised darkness and absolutely nowhere to hide.

A 107 BPM slow-burn with teeth; this is after-hours music for dancers who refuse to go home.

Relentless breakbeat pressure at 133 BPM with a club-credible groove that demands a dark room and a heavy system.

I’d slot this sleek, melodic after-hours weapon straight into a 122 BPM groove where understatement does the heavy lifting.

I'd reach for this Intercept cut when the floor needs 128-BPM melodic tension steeped in late-night atmosphere.

Earth-toned progressive house that breathes at 120 BPM, built for the late-night floor when the crowd wants texture over fireworks.

At 120 BPM, progressive house meets after-hours restraint in a poised, leftfield pivot.