Nathan Haines

The seven cuts in rotation move between Electronic Deep House and Electronic Downtempo with a fluidity that favours atmosphere over aggression. Across Neroli, In Dust We Trust and K7 Records, the sound leans toward warm, unhurried constructions that feel equally suited to late-night floors and low-lit listening rooms.

With an average Ninja score of 8.2, the consistency is notable; there is no dilution across B2 Recordings, EMK or Technicolour, only a sustained focus on refined, subterranean frequencies. It is the sort of catalogue that occupies the deeper, more contemplative tier of the underground—present across multiple respected imprints yet never chasing the centre.