My Baby

Jess Morgan’s vocal sits dead-centre over Axle’s framework, turning this into a deep-tech pressure-cooker rather than a standard house singalong. At 133 BPM, the tempo is urgent but not frantic, letting the hook catch light across a dark, minor-key floor with that nine-out-of-ten energy pushing every bar forward.

The groove is stripped back enough to slot neatly into a peak-time transition, yet that vocal presence gives it the memorability most functional cuts lack. It is the sort of record that sounds bigger as the room fills—tight percussion, resonant low-end, and an earworm refrain that does the heavy lifting without apology.