Released Jan 2026

I'd ride this 111 BPM leftfield deep house groove deep into the after-hours, where its nine-out-of-ten energy becomes pure hypnosis.

A hazy 102-BPM drift through dubby chillwave textures that rewards the 4 A.M. crowd without demanding the dancefloor.

I keep coming back to this 128-BPM hypnotiser; Sam Goku weaves organic texture and high energy into a deep-house trip that feels meticulously grown, not programmed.

A masterclass in controlled dread, where every percussive tick feels like a warning signal from the depths.

A slow-burning 120bpm ritual of dread and sub-bass that turns the after-hours into a pressure chamber of dubwise paranoia.

A sleek, high-octane deep house cut that marries Studio Barnhus eccentricity with a relentless, after-hours pulse.

Monolithic dub tension at 109 BPM; the room shrinks even as the energy towers.

Festival tech house with a massive vocal that turns the room into one moving mass.

A sleek, melodic cruiser that proves restraint hits harder than excess at peak time.

I’d let this slink in at 109 BPM—energy ten, warm, hypnotic deep house for the after-hours floor.

To my ears, this is a 113 BPM slow-motion stampede of smouldering low-end and after-hours hypnosis.

I’d weld Sam Goku’s humid organic artefacts to a merciless 133 BPM grid, forging a tripped-out techno weapon that demands a dark, packed room.

At 125 BPM in 4A, it funnels melodic tension into a relentless progressive house framework built for 4am reckoning.

A slow-burning, high-tension deep house cut that smoulders at 109 BPM, all melodic warmth and after-hours magnetism.

Jex Opolis drenches a vocal-house skeleton in dubwise atmosphere, turning peak-time pressure into something far more interesting.

To my ears, this is high-energy ambient dread from a dub pioneer; at 109 BPM, it moves like smoke through cracked concrete.

A merciless 130 BPM electro workout from Mystictrax, all G-minor pressure and maximalist late-night voltage.

A 125-BPM siege of haunted frequencies that turns the booth into a séance; peak-time weight cloaked in ambient dread.

A propulsive 125bpm hypnosis that bridges dub’s organic murk with techno’s relentless forward motion.

Crushing ambient dread wired to a 120 BPM pulse, its 5A key leaving no space for light.

Shackleton channels soundsystem dread into a 120-BPM hypnosis that rebuilds the room from the bass up.

Eerie ambient dub that coils through the room like smoke, heavy with Shackleton's unmistakable dread.

In my bag, Amaliah’s rework coils 133 BPM tension into a Peach Discs weapon built for peak-time sweat.