Released Aug 2024

A reverent kosmiche homage that burns at 111 BPM without ever cooling its melodic core.

A pressurised 125-bpm D-minor vortex that channels Polifonic’s trademark deep organic hypnosis into pure peak-time voltage.

A 128-BPM A-minor surge where deep-house emotion meets peak-time pressure, built for smoke-filled 4 a.m. floors.

A wired, forward-thinking house missile built for peak-time abandon at a breathless 136.

Pure peak-time weaponry: 143 BPM of unrelenting pressure built for total floor collapse.

Baths smears deep-house conventions into woozy, tactile shapes, a 122-BPM fever dream bristling with nervous energy.

At 120 BPM, this 1A cut is peak-time deep house with an emotional grip that refuses to let the room cool.

A 136 BPM pressure cooker that melts leftfield breaks into peak-time tech trance, built for the strobe-lit hours when subtlety surrenders to force.

Atmospheric deep house at 130 BPM, built for smoke-filled rooms where melody and momentum collide.

Pure A minor pressure at 140 BPM: a functional, high-energy weapon for the peak-time hour.

I hear this Domino-backed rework as a sleek fusion of breakbeat velocity and UK bass weight, built purely for 4am momentum.

Broken, humid, and heavy at 107 BPM—this is the sound of 1A shadows swallowing the room whole.

Bruised breakbeats and 7A melancholia meet at 122 BPM for peak-time introspection that keeps the room locked.

A peak-time progressive bomb that weaponises C minor dread into a cosmic, leftfield strutter.

A 125 BPM hybrid that tempers tech-trance ferocity with an emotive, slot-friendly groove.

A 125-bpm leftfield weapon where emotive hooks collide with high-voltage tension, built for peak-time floors that crave feeling over formula.

A 125-BPM hypnosis engine that funnels ten-out-of-ten voltage into Cadenza’s warm, after-hours drift.

Hypnotic and unhurried at 125 bpm, this is minimal house built for the heads and the hours they refuse to leave.

At 136 BPM, this is a feral late-night razor that cuts deep into the hypnotic fringe.

A lean, 143 BPM UK bass cut that favours tension over drops, built for the heads-down hours when the club needs subtle propulsion rather than fireworks.

Raw, tracky hypnosis at 140 BPM—precisely the kind of wired, club-ready tool Kalahari built its name on.

Relentless 120 BPM pressure with a rolling percussive undercarriage that turns any floor into a sweatbox.

At 125 BPM in E major, this is a warm, high-voltage deep-house cut built for the late hours.

Relentless 136-BPM hypnosis from the Kalahari stable, built for the strobe-lit hours when subtlety surrenders to sheer forward motion.