Released Jul 2023

Avalon Emerson re-chips Micay’s fangs into a gleaming, 136-BPM weapon that feels like racing through neon rain.

Raw Detroit electro tightened to a 128 BPM grid, built for the late hours when the room needs forward momentum without polish.

Taut, break-driven pressure at 136 BPM that demands a dark room and a hefty system.

Taut, sinewy breaks at 140bpm that snap like cable ties in a sweatbox, equal parts hooky menace and undeniable dancefloor utility.

Maximum voltage tech-house from the Public Possession camp: quirky, lean, and absolutely merciless when the room needs peak pressure.

Ethereal dub-tinged electronica from a leftfield supergroup, drifting at 115 BPM for the late-night hours.

Sleek leftfield breaks from three sonic architects, hooky as hell and crystalline without ever stumbling into cheese.

I’d let this dense, after-hours hallucination unfurl at one-fifteen, its relentless texture and hypnotic stride pulling the room deeper.

A slow-burning, high-tension collusion of experimental textures that weaponises 103 BPM into something surprisingly visceral and club-adjacent.

A hallucinatory cloud-rap sprint at 146 BPM that somehow feels like staring through smoke at last light.

I’d reach for this lean 130-bpm 4B weapon every time the floor needs serious late-night pressure.

Ninja Tune sheen meets a 136 BPM trance gallop, though those centre-stage vocals pull the warehouse rush toward indie-dance territory.

I'd drop this 130-BPM broken-beat roller at the pivot point between warm-up tension and peak-time release; K7's pedigree is audible.