Released Nov 2022

A 133-BPM hypnosis engine built from negative space and dubwise pressure, perfect for the moment the floor needs tension over release.

A low-slung progressive hypnosis that trades peak-time bombast for melancholic, gently insistent momentum.

Intricate UK bass architecture from a Hessle mainstay; 128 BPM of tightly coiled sound design built for the underground.

A lean, 136-BPM pressure system that locks the room into a red-eyed, bass-heavy trance.

Relentless electro pressure for the bleary-eyed 5am crew, all frayed wires and razor-sharp momentum.

Helena Hauff channels ten-tonne darkness into a lean, 128-BPM machine that strips house to its nervy, minimalist skeleton.

I hear raw voltage surging at 128bpm: Hauff tightens every screw until the jackplug sparks, forging electro that bites rather than begs.

A remorseless 140bpm charge through snapping breaks and low-end pressure, tailor-made for the leftfield hours.

Forward-thinking breaks at 130, marrying emotional depth with peak-time urgency and global dancefloor weight.

Floating Points turns 133bpm into a slow-motion exhale, mapping Db major across Ninja Tune’s most delicate frequencies.

Cerebral leftfield electronica that balances intricate sound design with a low-slung groove built for dimly lit floors.

A juggernaut of voltage and welded rhythm, stripping electro to a 130 BPM skeleton built for total floor lockdown.