Released May 2022
Records released this month that the Ninja keeps in rotation, each with his take on it.
28 records in rotation · 268 plays on air
Artists
Tracks
Crystalline leftfield breaks carved at 133 BPM, marrying noir tension to a fluid, electro-tinted swagger.
A sleek, nocturnal bullet of minimal techno that burns at the edges without ever losing its cool.
Hypnotic, raw-edged breaks at 120 BPM made for the deep end of organic-minded floors.
A propulsive 128-BPM engine of deep minimal tension that grips the floor without reinventing the wheel.
Relentless 133-BPM hypnosis on Kalahari Oyster Cult, built for strobe-lit sweatboxes and four AM surrender.
A distinctive, psychedelic 133-BPM trip that tilts the room sideways while keeping the floor locked.
Kalahari Oyster Cult turns 103 BPM into a slow-motion vortex where club weight dissolves into tripped-out ambient haze.
I’d drop this raw, hypnotic 125 BPM percussion deep in the after-hours sweatbox, letting Livity’s bassweight channel pure kinetic ritual.
A slow-burning, 200-BPM enigma that warps the club into a hypnagogic corridor of sub-bass and shadows.
Prunk sculpts a sleek 128 BPM weapon for PIV that throbs with late-night intent, bridging musicality and raw floor energy without breaking sweat.
I’d drop this humid 94 BPM cut where reggaeton skeletons rattle through Python’s dubwise fog.
Peak-energy Detroit electro at 130 BPM; C minor hardware pressure forged for basement systems and strobe-lit abandon.
Serrated electro at full tilt, all chrome edges and warehouse pressure, precision-tooled for peak-time devastation.
At one-forty-three, it is sinewy breaks and neon melancholy, engineered for the strobe-lit final hour.
A smouldering, high-tension pulse for the after-hours floor, all raw texture and restrained menace.
A syncopated 115 BPM roller that bridges bassline pressure with Amapiano's off-kilter swing, built for the leftfield hours.
After-hours artillery at 146 BPM, this D-minor pressure cooker is built for sweat-drenched final hours.
Frostbitten deep-house pressure at 120 BPM, built for the warehouse after hours.
A bruising, hypnotic 120-BPM assault that drags the dancefloor through F-minor darkness without ever offering release.
At 120 BPM, Jamal Moss turns ambient space into a ten-out-of-ten pressure cooker of industrial dread and devotional drone.
A venomous, 125-bpm assault of raw frequency that hijacks the room and refuses to relinquish control until every last body is moving.