Released Sep 2021

To my ears, this 140 bpm Db minor Livity Sound weapon delivers cavernous bass weight and razor-sharp sound design.

Warm organic textures ride a 120 BPM, 4A deep techno frame, channelling high energy into pure after-hours atmosphere.

Melodic warmth meets late-night momentum in a jazz-tinged deep house cut built for the after-hours haze.

I’d reach for this sleek, high-voltage cut whenever the floor needs locking without tired tropes.

At 133 BPM in key 6A, this is peak-time bassline pressure: sleek, bruising, and engineered for forward-motion club damage.

At 128 BPM in F# major, dub chords dissolve into a hypnotic, high-energy haze that refuses to let the room cool.

Scene stalwarts channel dubby deep-house hypnosis at 120 BPM, dripping with organic late-night texture.

Deep, textural dub techno that turns the after-hours room into a hypnotic pressure chamber at 128 BPM.

Lean, melodic tension at 125bpm—hooky enough to bait the floor, restrained enough to keep the underground credentials intact.

Relentless 130 BPM pressure forged in the In Dust We Trust furnace, built to command peak-time floors with unyielding groove.

Bruising 140bpm electro-techno with razor-wire sound design and a merciless, peak-time chokehold on the floor.

A slow-burning, 105 BPM deep house cut that smoulders with after-hours intent and leftfield sound design.

A veteran hardware workout at 125 BPM, where dub techno’s weight meets melodic after-hours insistence.

I’d call this 125-BPM minimal techno royalty: hypnotic, peak-time energy filtered through Systematic precision.

Leftfield deep house at 120 BPM with an energy 9 kick that turns polite rooms into sweat-drenched pressure cookers.

This chrome-plated deep house missile lands in my crate with hooks sharp enough to tear through peak-time smoke.

Woozy after-hours house that slinks through the smoke at 125 BPM, all leftfield grace and 4 a.m. patience.

Driving progressive breaks at 133bpm that marry distinctive sound design with the gravitational pull of a late-night floor.

I drop this at 115 BPM when the room needs a neon-streaked, hips-locked sway that bridges patience and peak-time release.

Melancholic breaks hit like a half-remembered goodbye, perfectly weighted for the strobe-softened hours before dawn.

A 125-BPM house cut that weds peak-time energy to a tender, lonely core, built for leftfield floors that favour emotion over fireworks.

Phonica AM delivers a 130 BPM séance of raw, shadow-threaded hypnosis built for the blackest dancefloors.