Released May 2019

Tribal drums and leftfield minimalism collide at 125 BPM, forging a hypnotic, high-energy ritual for the after-hours floor.

A 122-bpm surge of refined emotion that proves deep house can hit hard and stay classy.

A ten-out-of-ten psychedelic collision of global texture and disco momentum that demands a dark room and a willing floor.

Gospel fervour meets M-Plant discipline at 125 BPM; a peak-time sermon that moves bodies and something deeper.

Ten-out-of-ten energy meets 7B key pressure in a 122-BPM tunnel that only UTTU could authorise.

A bruised-leftfield cruiser at 113, stitching industrial grit to a melodic backbone that actually aches.

Relentless dub-techno hypnosis at peak-time velocity, where every echo feels like it's carving space into the floor.

A slow-motion pressure cooker from Kindisch that weaponises 107 BPM into something far heavier than the tempo implies.

Hardware warmth and electro melody at full velocity; a rare ten-energy cut that feels human, not hydraulic.

A humid, kinetic collision of organic percussion and electronic tension that reimagines reggaeton's pulse for the global bass underground.

I'd call this 122-BPM, energy-8 progressive house a swathe of 12A melancholy built for smoky, peak-time rooms.

Lush, leftfield house that coils through the night with crystalline precision and a restless 125bpm pulse.

Melodic urgency dressed up as a peak-time weapon, built for rooms that want to feel something before the lights come up.

I’d call this a sleek, cerebral machine that marries leftfield sound design to a relentless 128-BPM grid without breaking sweat.