Released Oct 2017
Records released this month that the Ninja keeps in rotation, each with his take on it.
23 records in rotation · 210 plays on air
Artists
Tracks
I'd drop this sleek 125 BPM groover anywhere the room needs proof that deep house still packs personality beyond the algorithm.
Emotive, hook-laden house that balances Environ pedigree with a forward-thrusting, peak-time energy.
Raw voltage surges through fractured electro breaks, sparking like a live wire across a dark room.
Gritty electro breakbeats at 120bpm that lock the room into a hypnotic, late-night chokehold.
At 122 BPM in the key of 12B, Lindstrøm turns level-nine voltage into spiralling deep-house melody that surges rather than simmers.
A minor urgency at 125 BPM, this fryhide cut channels raw melodic conviction into a peak-time weapon that actually feels something.
A masterclass in restraint where every frequency earns its place on the floor.
Organic cumbia bones wrapped in leftfield electronics, built for high-energy after-hours where 113 BPM feels like a steady heartbeat.
I would drop this at 122 BPM for the jazz-tinged chords alone—lush, organic and genuinely moving.
Lush chords and a 118 BPM slow-burn fuse into deep house catharsis that grips the floor without ever rushing the moment.
Avalon Emerson weaponises Octo Octa's original into a breaks-driven pressure cooker that refuses to let the floor breathe.
A masterclass in late-night tension where every chord feels earned and the floor breathes with it.
A lo-fi deep house burner that turns 128 BPM into pure late-night sweat, all grainy texture and unresolved emotion.
Lo-fi deep house grit at 128 BPM, built for smoky after-hours floors with underground tension and emotive, frayed texture.
Raw, hooky house music at 128bpm that channels loneliness into pure warehouse momentum without losing its emotional core.
A 120 BPM incline of melodic pressure that masks its accessible sheen behind vast, dusk-lit synth architecture.
Baltra reworks DJ BORING into a 125bpm breakbeat missile, all rubbery low-end and peak-time pressure.
I would weaponise this bruising 130-BPM electro cut for peak-time pressure, letting its raw distortion do the damage.