Released Oct 2014

I’d call this neo-classical melancholia bolted to a 122-bpm chassis: a midnight freight train with a string-section soul.

I hear a bunker-rattling 125 BPM juggernaut channelling B018 pressure into pure melodic peak-time tension.

A 120-BPM exhale in 6A that swaps dancefloor pressure for Erased Tapes’ gossamer ambient melancholy.

I’d drop this slow-burning 120 BPM ember when the room needs cooling without emptying.

Intricate, mid-energy electronica that prizes spatial detail over peak-time pressure, perfect for late-night rewiring.

Objekt unpicks the 130-BPM grid with surgical precision, leaving PAN’s leftfield architecture exposed.

Glitched 125-BPM mercury in Gb major; restless, cerebral energy for the mid-set leftfield pivot.

A low-energy, 118 BPM autopsy of rhythm that weaponises negative space and chrome-plated texture with surgical precision.

A skeletal one-forty BPM ghost that drains A-major daylight into a raw, vacuum-sealed panic attack.

A sky-scraping vocal welded to a 122 BPM deep-house chassis, built to convert the uninitiated before lunch.

A 120-bpm deep-house juggernaut keyed to 8A, converting maximum energy into brooding, leftfield claustrophobia.

Analog warmth cuts through the 120 BPM grid with melodic precision, built for when the headlights hit the motorway at midnight.